Sélavy at Sotheby's Palm Beach

  • Sélavy by Di Donna returns to Sotheby’s Palm Beach gallery

    February 25 - March 13

    Sélavy by Di Donna is thrilled to return to Palm Beach for a second winter residency at Sotheby’s Palm Beach gallery.

     

    The collaboration embodies the spirit of Sélavy by Di Donna: presenting vignettes that combine blue-chip works across time periods, mediums and cultures with modern design items. Styled as an inspiring interior, it presents the eclectic vision of an imagined collector, juxtaposing Surrealist, modern, and contemporary paintings alongside prime examples of American and European mid-century modern and contemporary design. The presentation includes works by Joan Mitchell, Giorgio Morandi, Andy Warhol, Giorgio de Chirico, Katharina Grosse, George Nakashima, Louis Cane and Pierre Chapo, among many others.

    Sélavy at Sotheby’s Palm Beach is available to explore online or in-person at Sotheby’s Palm Beach gallery from February 25 to March 13, 2022. 


    Location:
    150 Royal Poinciana Plaza, Palm Beach, FL 33480
    Installation shot showing Pierre Chapo bookcase, decorated with various books and small art as well as a Keith Haring work and other elements of art and design
  • Installation Images
    • John Baldessari. Boat (Green) with Two Observers (Blue and Yellow). 1991. Acrylic and oil tint on two photographs, 179 by 91.4 cm (70½ by 36 in.) Pierre Chapo. T22C Coffee Table. C. 1972. Elm, 33 by 156 by 111.5 cm (13 by 61⅜ by 43⅞ in.) Pierre Guariche. Pair of G10 Armchairs. 1953. Bent plywood, iron and bouclé upholstery, 81.3 by 70.5 by 78.7 cm (32 by 27¾ by 31 in.) Joan Mitchell. Untitled. 1968. Oil on canvas, 73 by 59.6 cm (28¾ by 23½ in.) Yoichi Ohira. La Notte del Carnevale a Venezia Vase. 2002. Hand-blown glass canes with murrine and powder inserts and 'a ghiaccio' effect, 23.2 by 16.8 cm (9⅛ by 6⅝ in.) Ed Ruscha. Call Me Angel Chile. 2001. Acrylic on canvas, 101.6 by 137.2 cm (40 by 54 in.)
      John Baldessari. Boat (Green) with Two Observers (Blue and Yellow). 1991. Acrylic and oil tint on two photographs, 179 by 91.4 cm (70½ by 36 in.)
      Pierre Chapo. T22C Coffee Table. C. 1972. Elm, 33 by 156 by 111.5 cm (13 by 61⅜ by 43⅞ in.)
      Pierre Guariche. Pair of G10 Armchairs. 1953. Bent plywood, iron and bouclé upholstery, 81.3 by 70.5 by 78.7 cm (32 by 27¾ by 31 in.)

      Joan Mitchell. Untitled. 1968. Oil on canvas, 73 by 59.6 cm (28¾ by 23½ in.)

      Yoichi Ohira. La Notte del Carnevale a Venezia Vase. 2002. Hand-blown glass canes with murrine and powder inserts and 'a ghiaccio' effect, 23.2 by 16.8 cm (9⅛ by 6⅝ in.)

      Ed Ruscha. Call Me Angel Chile. 2001. Acrylic on canvas, 101.6 by 137.2 cm (40 by 54 in.)

       
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    • Installation shot showing Haring Baby, Chapo bookcase and other elements of art and design
      Keith Haring. Baby. 1982. Steel and enamel, 88.3 by 99.1 cm (34¾ by 39 in.) © 2022 The Keith Haring Foundation

      Finn Juhl. Sofa. 1947. Solid beech and wool upholstery, 83.8 by 134.6 by 76.2 cm (33 by 53 by 30 in.)

      Pierre Chapo. T23 coffee table. C. 1970. Oak, 33 by 64 by 62 cm (13 by 25¼ by 25¼ in.)

      Yoichi Ohira. La Notte del Carnevale a Venezia Vase. 2002. Hand-blown glass canes with murrine and powder inserts and 'a ghiaccio' effect, 23.2 by 16.8 cm (9⅛ by 6⅝ in.)

      Tom Wesselmann. Maquette for Orange and Tulip (3-D). 1987. Painted and cut collage on board, Image: 20.3 by 24.1 by 3.8 cm (8 by 9½ by 1½ in.), Overall: 35.5 by 40 by 3.8 cm (14 by 16 by 1½ in.) © Tom Wesselmann/Licensed by VAGA, New York, NY

      Louis Cane. Olivier grande feuille. 2021. Patinated bronze, 4 by 14 by 14 cm (9½ by 5½ by 5½ in.)

      Kyohei Fujita. Tenpyo no yume, C. 1990. Blown glass with gold and silver leaf, 18 by 25.1 by 18.3 cm (7⅛ by 9⅞ by 7¼ in.)

      Tom Wesselmann. Sketch for Smoking Cigarette #1 (Painting). 1980. Liquitex on bristol board, 17 by 21 cm (6⅝ by 8¼ in.) © 2022 The Keith Haring Foundation

      Kyohei Fujita. Handblown Glass Decorative Box. C. 1990. Blown glass with gold and silver leaf, 8.2 by 8 by 8 cm (3¼ by 3⅛ by 3⅛ in.)

      Yoichi Ohira. Laguna Vase. 1999. Hand-blown glass canes with powder inserts and partial battuto surface, Height: 24 cm (9½ in.)

       
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    • 8 Warhol Sunset prints infront of a set of chairs, coffee table, and decorative glass bowl

      Andy Warhol. Sunsets. 1972. Suite of 8 unique color screenprints on paper, Each (Unframed): 86.4 by 86.4 cm (34 by 34 in.), Each (Framed): 106.7 by 106.7 cm (42 by 42 in.) © 2022 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York

      Pierre Guariche. Pair of G10 Armchairs. 1953. Bent plywood, iron and bouclé upholstery, 78.7 by 70.5 by 78.7 cm (31 by 27¾ by 31 in.)

      George Nakashima. Coffee Table. 1960. Solid English walnut, 30.5 by 183.5 by 56 cm (12⅛ by 72¼ by 22⅛ in.)

      Toots Zynsky. Piovasco. 2015. Fused and thermo-formed glass threads, 34.3 by 47 by 31 cm (13½ by 18½ by 12¼ in.)

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    • David Hockney. The Arrival of Spring in Woldgate, East Yorkshire in 2011, 18 January. 2011. iPad drawing printed on paper, 139.8 by 105.5 cm (55 by 41½ in.). 19/25 from an edition of 25 Anonymous. Three Lilla Svampen Stools. 2021, Swedish pine and Australian shearling S: 36 by 34 cm (14 ⅛ by 13 ⅜ in.) M: 40.8 by 40 cm (16⅛ by 15¾ in.) L: 47.3 by 44.5 cm (18⅝ by 17½ in.)

      David Hockney. The Arrival of Spring in Woldgate, East Yorkshire in 2011, 18 January. 2011. iPad drawing printed on paper, 139.8 by 105.5 cm (55 by 41½ in.). 19/25 from an edition of 25

      Anonymous. Three Lilla Svampen Stools. 2021, Swedish pine and Australian shearling
      S: 36 by 34 cm (14 ⅛ by 13 ⅜ in.)
      M: 40.8 by 40 cm (16⅛ by 15¾ in.)
      L: 47.3 by 44.5 cm (18⅝ by 17½ in.)
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